The impressively-mounted sets make up for Prashanth’s flimsy storyline. But, Prashanth has denied even that to Srinidhi as he has concentrated all his might and resources to building the myth around Rocky. While usually the female leads don’t get much to do in hero driven films, at least they are given expensive songs to perform. Prashanth was so occupied with pandering to Yash’s stardom, that he has underwritten Srinidhi Shetty’s character.
#PRASHANTH TAMIL FULL MOVIES FULL#
And in another scene, Rocky single-handedly pulls a cart full of food supplies as others standby and watch it in awe, just like the scene when Baahubali alone pulls the giant statue of Bhallaladeva. With camera panning up showing the towering statue over Garuda’s mortal frame reminds us of the iconic interval block from Baahubali: The Beginning. We get a scene where Garuda, one of the several antagonists, unveils a statue of himself. He has even drawn inspiration from SS Rajamouli’s Baahubali films. He keeps churning out one cinematically memorable moment after another but without any emotional depth. It is this escapist entertainment, Prashanth has committed himself to achieve and he has delivered in that respect. The film works like folklore, which you tell mere mortals like the office assistant in the film, who gets engrossed in the story that he forgets about constant bullying he faces at the workplace. And later Prashanth adds two more narrators within the narration of Anath Nag to build the legend of Rocky. We learn about Rocky’s battle exploits through the words of a veteran journalist, played by Anath Nag. After a point, he drives the film on an empty tank. It is as if director Prashanth Neel, who is also the writer of the film, was saving the remaining best bits for the second part. When the story moves out of Bombay, the narration begins to lose steam. Now, his thirst for power and wealth grows deeper and even volunteers to enter a hellhole to dethrone the satan himself. He goes to Bangalore and literally stumbles on gold.
0 kommentar(er)
